May 31, 2013
The latest “home invasion” thriller The Purge can be approached like that old cliché about optimists and pessimists. Those who say the glass is half empty may dismiss the flick as a clever sci-fi concept that gets wedged into a very conventional horror story. Those who think the glass is half full will believe that The Purge is (yes,(…)
May 31, 2013
Seasoned horror fans will no doubt recognize the irony in today’s vampire cinema. The “romanticization” of the vampire has been evolving since (at least) John Badham’s 1979 rendition of Dracula — but we never saw our beloved cinematic bloodsuckers lose their teeth like they did in the feckless Twilight movies. What used to be sexy but scary became gothic(…)
May 10, 2013
We don’t get a whole lot of independently-produced disaster movies, and it’s pretty simple to figure out why that’s the case. Of all the action film sub-genres, the “disaster epic” is easily one of the most ambitious and expensive, and filmmakers like Irwin Allen and Roland Emmerich clearly need a whole lot of cash to(…)
Apr 16, 2013
It seems that the producers’ goal in following up The Haunting in Connecticut with Ghosts of Georgia is to produce a series of creepy horror movies that are based on documented events of the supernatural. That’s all fine and good, but it doesn’t make a title like The Haunting in Connecticut 2: Ghosts of Georgia a good idea. Yes, you need(…)
Apr 12, 2013
One does not call their film “Evil Dead” without expecting some serious scrutiny from the old-school horror fans. It doesn’t matter if names like Sam Raimi and Robert Tapert are on board for your remake, and it makes no difference that you went for a “hard-R” rating and delivered a pretty kick-ass trailer. That’s all(…)
Apr 3, 2013
It doesn’t take a genius to combine the basic trappings of a standard “haunted house” story with the well-worn convention of “alien invasions,” but it’s nice to see that some filmmakers are still willing to give it a shot. Although clearly inspired by the recent and endless litany of paranormal-centric horror flicks and a big(…)
Mar 22, 2013
If you don’t think this one is a horror film, stop fooling yourselves. Ever get yelled at by an angry policeman? It’s not a pleasant experience, especially if you didn’t do anything wrong. The power of authority is a dangerous thing, especially in a society as dense and confused as America. Given too much authority,(…)
Mar 15, 2013
William Lustig’s 1980 horror flick Maniac has enjoyed a long and healthy shelf life as a cult favorite among horror geeks, be they curious youths or nostalgic old coots, so it should come as no surprise to learn that, yep, someone went and remade the damn thing. The original was a grungy, sweaty, and virtually(…)
Mar 1, 2013
One of the cool things that horror films can do is take topical and timely cultural issues, and then expand upon them in a variety of generally unpleasant ways. Pick any “based on actual events” film about a serial killer, Silence of the Lambs for example, or think of films like Battle Royale or The Strangers: horror movies that use(…)
Mar 1, 2013
Every time I feel beaten down by a rash of mediocre new “found footage” horror flicks, I have to remind myself that HEY, I actually do like this gimmick. (Yes, still!) If I have to struggle through Area 407 and Crowsnest and Hollow to find buried treasures like [REC], Paranormal Activity, and Grave Encounters, then that’s just fine with me. But just as(…)
Feb 28, 2013
It’s one of the most familiar stories in the realm of horror cinema: a studio purchases a solid indie horror film, makes a pretty penny on the deal, and then settles down for a sequel parade. Paramount did it with Friday the 13th and then Paranormal Activity, Lionsgate did it with Saw… and it sure(…)
Feb 22, 2013
When it comes to the films he produces but does not direct, Guillermo Del Toro seems to enjoy helping young filmmakers to create “old-fashioned” genre films. Films like The Orphanage, Julia’s Eyes, Don’t Be Afraid of the Dark, and even Splice (to a point) seem to hearken back to an earlier era in which scares(…)
Feb 1, 2013
Once in a while we hear a horrific story about a mentally deranged kidnapper who abducts someone, and simply keeps them. No ransom, no murder; just time spent as someone else’s plaything or reluctant companion. When they pop up in the newspapers, these tragic stories hit home in a dark, personal way. We ponder (hopefully(…)
Feb 1, 2013
Why are we so obsessed with celebrity? Obviously it makes sense to admire a talented person, and if that person finds fans all over the world, then they’ve earned that spotlight. But beyond that, why do we care if Brad Pitt gets a divorce or if a troublesome starlet goes to jail? Why are there(…)
Jan 25, 2013
Some movies are just born weird, plain and simple, and thank the movie gods for that. Sometimes weirdness and absurdity hit the screen like a lead weight, like a few of us saw in last year’s Branded, and other times the cinematic weirdness clicks into place and serves a purpose besides that of simple, well, weirdness.(…)
Jan 11, 2013
I’ve been covering horror movies for a while now, and over the years I’ve noticed a lot of very interesting genre films about women — that are also written and directed by men. That’s meant as a compliment. Indie filmmakers like Paul Solet (Grace), Mitchell Lichtenstein (Teeth), and Lucky McKee (May, The Woman) are clearly(…)
Nov 13, 2012
It was only a few years ago that French filmmaker Xavier Gens hit the festival circuit with a colorfully bizarre horror flick called Fronteire(s), which in turn led to an ill-fated Hollywood gig (the video game adaptation known as Hitman), which in turn led the filmmaker back to … smaller projects. His third feature is a patently(…)
Oct 16, 2012
Are we really at the fourth chapter of Paranormal Activity already? Seems like only yesterday that Paramount grabbed hold of a great little indie horror flick, released it during the Halloween season, and made a billion dollars on what turned out to be a really smart bet. Speaking of smart bets, Part 2 and Part(…)
Oct 16, 2012
At first it felt like a strange dark comedy pulled from inspirations from John Waters and Todd Solondz. And then it starts to feel a bit like an “alienated teen” psychological thriller not unlike a rough, indie version of Carrie. And then something clicked in my brain: something about the premise, the tone, and the admirable(…)
Sep 28, 2012
Seems we’re presently in the midst of a miniature renaissance for horror-themed animated features. A few months ago we got the truly impressive ParaNorman from Universal, and next month Disney has a treat in the form of Tim Burton’s Frankenweenie, but while the former film is very clever and the latter one is very sweet,(…)
Sep 23, 2012
There are documentaries that focus on history, science and important current events, and obviously those are important. We will always need honest and objective filmmakers to educate us beyond the junk we’re taught in high school. But there’s also a sub-genre among documentaries that might seem slight, but is still important in some small way.(…)
Sep 21, 2012
Some horror flicks are designed for the young and communal experience, and that’s perfectly fine. There’s more than enough room under the genre umbrella for family films, “tween” films, young adult films, and hardcore horror junkie films. And while the new thriller House at the End of the Street earns a few points for trying(…)
Sep 20, 2012
At first it sounds like typically unoriginal revisionism — or outright laziness: the news that Tim Burton and Disney would be expanding the director’s 1984 short, Frankenweenie, into a feature-length film. Mr. Burton’s 30-minute short is an absolute delight, so (as many movie geeks audibly wondered) why would you want to mess with a good thing?(…)
Aug 31, 2012
Of all the scary things we poor humans have to deal with, putting our lives in the hands of someone else has to rank among the most terrifying. We hope, pray, and trust that if we’re stricken by something life-threatening, our attending medical professionals are among the world’s smartest, purest, and most talented. In most(…)
Aug 31, 2012
There are several colors in the “horror/comedy” spectrum. Some films, like John Landis’ An American Werewolf in London is a horror film with sly wit, whereas on the other side of the scale we have Scary Movie, which is little more than a broad spoof that happens to focus on cliches and stereotypes found in horror flicks. Somewhere(…)
Aug 31, 2012
When someone says a new movie is “made for horror fans,” what they usually mean is that it’s fun, fast-paced, nostalgic, and probably pretty self-deprecating or subversive. Movies like Scream, Slither, and The Cabin in the Woods are “made for horror fans” in that way. Then there are films like Berberian Sound Studio, which is made for horror fans(…)
Aug 26, 2012
There’s broad comedy, there’s wacky stuff, and then there’s the Japanese version of non-stop silliness. Throw all three into a blender and you’ll get a bizarre (and kinda tasty) concoction known as Dead Sushi, a horror / action / ultra-goofy slapstick farce from the man who brought us RoboGeisha, Mutant Girls Squad, and Zombie Ass. Yes, those are(…)
Aug 23, 2012
Virtually every film festival in the world has a handful of charming little Irish movies hiding in the fringes. And if they don’t, they should. Sincere drama about little but real characters; light comedy that almost always brings some heart and sweetness to the fore; tough stories about violent histories; and dark thrillers based on(…)
Aug 3, 2012
“A boy who can talk to the dead must come to the rescue of his unfriendly town when a bunch of zombies and an evil witch rise from the dead and start to raise holy hell.” Doesn’t exactly sound like a “kiddie flick,” does it? Not really. And that’s only one of the reasons that(…)
Jun 29, 2012
One day (very soon) I’m going to write an article about the large number of surprisingly insightful male directors who make horror films about women. On that list I’d mention films like May, The Descent, Teeth, Grace, and recent Sundance flicks like Excision (reviewed here) and Eduardo Sanchez’s Lovely Molly. That’s not to say that these films offer any definitive(…)
Jun 23, 2012
As is often the case with interesting indie horror films, The Facility proves that you don’t need much to deliver something worthwhile. Here we have a straightforward story that offers A) a simple premise, B) an effective location, and C) a handful of characters worth watching for 90 minutes. The Facility never comes close to(…)
Jun 22, 2012
When is a found footage horror film not a found footage horror film? When none of the characters scream at the person holding the camera. That’s pretty much exactly what the new horror flick Chernobyl Diaries is: a rather typical tale of six young idiots who visit somewhere they REALLY shouldn’t, and briefly live to regret it.(…)
Jun 20, 2012
It’s all right there in the title, so don’t walk into a film called Abraham Lincoln: Vampire Hunter with a chip on your shoulder. You may like, love or detest the film, but by purchasing a ticket for a film with that title, you officially recuse yourself from being a snarky wise-ass. You buy the ticket, and(…)
Jun 8, 2012
An unhappy young woman with a tragic past travels back to her old family home following the death of her mother, only to discover that … wait, let me go take a nap. Surely we’ve seen a dozen or so horror films that could boast that same sketchy premise, and here is yet another one.(…)
May 11, 2012
It all started with a film called Jaws. And it was good. From that 1975 classic we leap over several truly terrible rip-off movies and focus on Piranha (1978), which was Roger Corman, Joe Dante, and John Sayles ripping off Jaws, with a hearty dose of their own clever gimmickry and amusing ideas. That one led to Piranha 2: The(…)
May 11, 2012
Here’s how to create a true stinker, in Hollywood terms: A. Purchase the rights to a creaky old “cult favorite,” one that means virtually nothing to modern audiences (aside from a vaguely familiar title), but still maintains a loyal fan following. (These are the people who will do all your free advertising soon.)
Apr 13, 2012
“Subversive” is a great thing to be, especially if you make movies. Smart, subversive filmmakers can take something beloved yet painfully familiar, examine it from all possible sides, and then construct something that pays homage and pokes fun at the same time. Airplane! subverted disaster movies; Hot Fuzz did it for buddy cop movies; and now, Drew Goddard and(…)
Apr 6, 2012
How many tight places can movie characters become stuck in? We’ve seen phone booths, ski lifts, and (of course) coffins in recent years, but here comes a trap for the modern age: the isolated, indoor ATM vestibule. I know I’ve seen a few of these things: obscure little islands of light that are sometimes tucked(…)
Feb 3, 2012
The indie king of the slow-burn horror flick is back, and this time Ti West is bringing along an unexpected dose of wit, warmth, and weirdly effective character-based comedy. In many ways, West’s The Innkeepers is a lot like his previous features (The Roost, Trigger Man, and The House of the Devil), in that you know it’s a horror(…)
Jan 27, 2012
I know what you’re thinking. Liam Neeson trudging through the Alaskan wilderness in a humdrum January survivalist thriller flick. Looks kinda like Alive and certainly doesn’t have a whole lot to offer horror fans. But what promotional materials only hint at, wild wolves watching the every move of these men as they battle for survival amidst the(…)
Jan 6, 2012
You may recall a terrible horror flick from a few years back called Stay Alive. It was a very typical slasher flick copycat that showed up at the tail-end of another slasher cycle. That happens a lot to rip-offs: they arrive just a bit too late to steal much money. That forgettable film came from the(…)
Dec 22, 2011
As any astute horror fan knows by now, Eli Roth’s Hostel (2005) and Hostel Part 2 (2007) took place in a sleazy and hopefully fictional version of Slovakia. This setting afforded the writer/director ample opportunity to explore concepts like xenophobia, cultural egocentricity, and American provincialism — but explore them in a decidedly creepy, disturbing, gory, and occasionally amusing fashion.(…)
Nov 25, 2011
The astute fan of indie horror cinema may recall a not-half-bad offering from 2004 called Malevolence. Written and directed by Stevan Mena, it told the story of a bank robbery gone (seriously) awry when the criminals choose the wrong patch of woods to hole up in. And that’s an understatement. A clearly low-budget and scrappy indie,(…)
Nov 11, 2011
Last year’s quiet treat known as The Woman in Black proved that there’s still a little energy left in the horror sub-genre we’ll call “old-school British creepiness” for the time being, and while the inclusion of Daniel Radcliffe (aka Harry Potter) was no small part in that film’s success, the end result was an admirably old-fashioned, low-key(…)
Nov 11, 2011
There’s something almost quaint about the new occult thriller from Darren Lynn Bousman, and not just because it’s a low-key departure for the guy who directed three Saw sequels, a Mother’s Day remake, and one of the craziest cult musicals since Rocky Horror. At times the somewhat dry, somewhat comfortably familiar horror tale known as 11-11-11: The Prophecy feels like a late-era(…)
Nov 4, 2011
Note: this review may contain mild spoilers that deal with personal and frequently smelly bodily functions. The already-infamous horror film The Human Centipede was a gimmick the second it was born: by telling people what the film is about (a man who grafts three people together, ass-to-mouth) you were already doing marketing. Many people recoiled at the(…)
Oct 21, 2011
There are numerous ways one could go with an “epidemic thriller” like Contagion. The smash hit Outbreak turned the premise into a goofy little race against the clock affair; last year’s Never Let Me Go looked at the after-effects in personal and heartbreaking fashion; horror flicks like The Crazies are content to roll around in the gore while making a simple point(…)
Oct 19, 2011
Horror sequels are a double-edged sword for their producers. Present a series of stand-alone follow-ups, like the old Friday the 13th franchise, and the films end up being little more than carbon copies of one another. On the other hand, if you’re intent on creating an ongoing series that keeps a bunch of plot-threads percolating, you chance(…)
Oct 7, 2011
One doesn’t like to use the word “quaint” to describe a horror film, particularly if it’s a horror film they’re ultimately trying to recommend. But that’s the word that stuck after seeing the latest Guillermo del Toro production, Don’t Be Afraid of the Dark: quaint, old-fashioned, sedate, deliberate, quiet — but also good adjectives like dark,(…)
Sep 30, 2011
It may have sounded like a good idea on paper (how else could it attract such talent?), but the recent haunted house thriller Dream House is saddled with bland, outdated concepts, overtly predictable”surprises,” dead-eyed acting performances from generally reliable players, and a relentless intent on wedging as many hoary old cliches as possible into the dreary 92-minute(…)
Sep 2, 2011
One of the coolest things about Ben Wheatley’s debut effort, Down Terrace, was the way it forced an audience to slow down a bit, to get used to the characters and the story threads … and then pull the rug out from beneath the viewer, leaving them to marvel at the weird and darkly amusing machinations(…)
Sep 2, 2011
Here we are in Remake County again, population: crappy. Well, that’s not entirely fair, is it? I know dozens of horror fans who love remakes. The Thing, The Fly, Invasion of the Body Snatchers, The Texas Chainsaw Massacre, Dawn of the Dead, Let Me In and The Blob are all remakes, and I’d content that not one of those(…)
Sep 2, 2011
Apparently somebody, somewhere, at one point had a light bulb go off over their head while watching The Blair Witch Project or Paranormal Activity or [REC], it doesn’t really matter. The new idea was this: hey, let’s place a “found footage” horror flick inside the capsule of an ill-fated trip to the moon! Not a terrible concept, truth be told,(…)
Aug 26, 2011
There are many horror sequels that are A) redundant, B) silly, C) uninspired, and D) all of the above — but we like some of them anyway. The problem posed to the producers of horror franchises is this: how to give your money-holding ticket-buyers “more of the same” while still being able to “introduce something(…)
May 13, 2011
A optimist would say that the second collaboration between director Scott Stewart and actor Paul Bettany would, by simple logic, have to be an improvement over their first one: the rather dire 2009 effort known as Legion. A pessimist would say there’s no prooof that their second film, the comic book adaptation Priest, would be any better(…)
May 13, 2011
Given a choice between an Australian film and pretty much anything else at a genre-intensive film festival … I’m choosing the Aussie flick. From my earliest days as a movie freak, I knew that the far-away and magical land of Australia produced movies like The Road Warrior, Razorback, Road Games, and Patrick, and that was enough to(…)
May 6, 2011
Take a big slice of Troma-style tongue-in-cheek nastiness, sprinkle it with some legitimately (if consistently) raunchy dialogue, pepper it with liberal doses of over-the-top (nay, cartoonish) ultra-violence, and cap it all off with a truly entertaining performance from a great veteran character actor, and you’re halfway to appreciating the serious lunacy on display in Jason(…)
Apr 29, 2011
I simply do not envy the filmmakers who feel inspired to make a haunted house flick in today’s cynical age. What used to be so beautifully easy in The Haunting or House on Haunted Hill or The Innocents became a little bit tougher in The Amityville Horror and Poltergeist — and nowadays you have to break out the video camera if you want to dazzle(…)
Mar 15, 2011
Self-taught filmmaker Emily Hagins is on her third feature with the clever little comedy My Sucky Teen Romance. And since I consider the young lady to be self-taught, I opted not to review her earlier films, Pathogen and The Retelling, because I felt they were akin to student films. Legitimate, fitfully entertaining student films that showed a lot of(…)
Feb 25, 2011
You’re bound to read and hear a lot of opinions that call Drive Angry a mindless piece of stupid action flick trash … as if that’s some sort of shocking revelation. The trailers and TV ads all but scream “mindless action trash,” and the producers seem perfectly fine with that assessment. The question that stands, of course,(…)
Nov 25, 2010
Imagine you’re a car mechanic and you’re tasked with fixing a car made entirely of body parts. Or pretend you’re a doctor who is faced with a shocking, violent disease that nobody’s ever seen before. Now here’s me: a (very) horror-friendly film critic who is asked to review a film that’s so shocking, so outrageous,(…)
Oct 22, 2010
One doesn’t look at a nifty-yet-slight little horror flick like Paranormal Activity and think “definite sequel potential.” As one of those “found footage” gimmick movies, it works surprisingly well. It’s a clever little slow-burn indie chiller, which made it no surprise when Paramount picked up the $20,000 movie, primed their hype machine, and delivered it to an(…)
Oct 1, 2010
Just like a thorough horror fan will return to the gory stuff after enjoying a quiet psycho-thriller or a suspenseful tale of simple survival, our pal Adam Green has returned to the sub-genre he loves so much: the slasher flick. The versatile genre freak started out with Hatchet before getting a little more sedate with Spiral and Frozen … and now(…)
Sep 23, 2010
Let’s just point to the elephant in the room right now and get it over with. Yes, the 2008 Swedish horror film Let the Right One In is sort of what you’d call an “instant classic.” I (and dozens of my festival colleagues) adored the film during its film festival run, the rest of the critics were(…)
Sep 22, 2010
Back when most of my friends were geeking out over their Mike Schmidt baseball cards or Spider-Man comic books, I was cataloging my own list of favorites. Sure, me and all my neighborhood friends loved baseball, comic books, and video games, but I’m pretty sure I was the only one who knew that Cujo and Cat’s Eye were directed(…)
Aug 20, 2010
Here’s a list of things you’ll definitely experience if you buy a ticket to Alexandre Aja’s remake of Joe Dante’s Piranha, Piranha 3D. 1. Some intermittently effective 3D trickery that I certainly won’t miss when the DVD hits the shelves. 2. Tons of gory scenes in which prehistoric, ravenous fish chew on shrieking people, most of whom(…)
Apr 28, 2010
It begins in standard enough fashion: Two young, pretty, obnoxious women get lost on their way to a party, only to stumble upon an isolated house belonging to a certifiable lunatic. That sums up the first 20-some minutes of Tom Six’s The Human Centipede, but once we get that familiar fare out of the way …(…)
Apr 27, 2010
Despite what the cynics say, there are many different reasons why someone(s) would want to remake a horror film like Wes Craven’s A Nightmare on Elm Street: 1. Easy money, because the script is already done — and there’s always a few nickels to wring out of nostalgia and “name recognition.” 2. You love a classic(…)
Jan 24, 2010
I’m a big fan of the “what would YOU do?” thriller; the kind that asks how you’d react to A) being left in the ocean with hungry sharks, B) being trapped in a phone booth by a mad sniper, or C) being accidentally abandoned while riding a ski-lift high above a frigid mountain. Oh, you(…)
Jan 6, 2010
It’s a lazy technique … but it also works. I’m talking about the “movie X meets movie Y” style of cinematic analysis, and it’s how I plan to open my review of Michael and Peter Spierig’s Daybreakers: “It’s Gattaca meets Near Dark … sorta.” If I were one of those genre-lovin’ Australian Spierig boys, I’d choose to take that as(…)
Dec 11, 2009
Pity the poor apocalyptic horror film Carriers. Here we have a well-shot, psychologically demanding, and impressively unflinching tale of global decay, but since the screenplay caught the eye of a now-defunct “boutique” label (namely, Paramount Vantage), the film is beholden to all sorts of lofty expectations. A “studio product” must A) yield a jazzy trailer, B)(…)
Dec 4, 2009
Wikipedia tells me that the great Richard Matheson was none too pleased with the 1986 Twilight Zone episode that was based on his 1970 short story Button, Button. And having just witnessed the certifiably bizarre Richard Kelly adaptation, I think it’s safe to say that Mr. Matheson would have absolutely loathed this version. Let’s just say the TV(…)
Nov 25, 2009
Apparently all it takes to make an effective horror flick are the following components: a guy, a girl, a camera, and a whole bunch of seriously creepy atmosphere. Oren Peli’s Paranormal Activity is one of the best haunted house flicks I’ve seen in quite some time — and what makes it even cooler is that(…)
Nov 4, 2009
I’ve said it before and I’ll say it again, in about 0.6 seconds: The horror / comedy mixture is a mean and difficult beast to tame. I do not envy the screenwriter, director, and actors who must, for at least 100 minutes, waver back and forth between A) shocks, scares, and splatter, and B) jokes,(…)
Oct 1, 2009
A college girl who desperately needs some income agrees to babysit in a giant creepy house, only to discover that she’s been enticed there for nefarious means. Your reaction is this: Yawn. Seen it. My response? That’s what’s so cool about Ti West’s The House of the Devil. It knows that YOU know all the “haunted house”(…)
Aug 30, 2009
One of the main (and corniest) reasons I love film festivals is this: We’re (pretty much) all there to acknowledge / admire / adore the art of cinema, and the love for the medium oozes out of every crack in the sidewalk found at Sundance, Toronto, SXSW, etc. But here’s the thing: 99.5% of the(…)
Aug 28, 2009
If you have a baby who loves to, say, take off his diaper and smear the walls with his own feces, it’s not really the kid’s fault. It’s the fault of the parents who allow a small child with a poop fetish to run around unchecked, free to do whatever he likes with his diaper(…)
Aug 28, 2009
It’s a phrase that a lot of film critics (and fans) love to throw around, but truth be told, even while digging through the lamest of the lame … I usually DO see some semblance of effort. Such is clearly not the case where the stupidly-titled The Final Destination is concerned. Considering I’ve seen unfinished work prints(…)
Aug 7, 2009
Sometimes a scary movie is a glass-half-full proposition, and sometimes it’s a half-empty one. This was the first thing to pop into my head upon sitting down to review the new “scary kid” flick Orphan, and I guess that’s my brain’s way of saying “It’s half-decent and half-goofy. Midway between surprisingly compelling and predictably familiar. For(…)
Aug 6, 2009
In watching A Perfect Getaway I can’t help but be taken back to 1988, a time in which we received a rather basic and unassuming action thriller from Touchstone (Disney) called Shoot to Kill. In that film, a brutal killer has taken a Pacific Northwest hiking guide hostage, and it’s up to a manly tracker (Tom Berenger) and(…)
Jul 24, 2009
“Chaos reigns!” is a now-famous line of dialog (spoken by a wolf) in Lars Von Trier’s Antichrist, and it certainly seems to sum up the director’s point: Chaos does indeed reign, and no amount of preparation, good intentions, or philanthropy can change that fact. We may try to control our own tiny little corners of the(…)
Jun 19, 2009
Nazi zombies. That’s all you really need to hear and you know if you want to see Dead Snow or not. I mean … zombies are pretty damn evil all by themselves, but zombies that are also undead minions of Adolf Hitler? You don’t get much more horrible than that. It’s not the plot or the acting or the(…)
Jun 12, 2009
Most zombie flicks are actually “about” something. George Romero always finds numerous ways to thread all sorts of sly social commentary throughout his tales of undead mega-carnage, and he’s not the only one: brainy filmmakers have been utilizing the “‘zombie” concept to tell all sorts of subtextual stories: Fido, 28 Days Later, and I Walked With a Zombie have(…)
May 27, 2009
For those who were worried that filmmaker Sam Raimi had become lost in the wilds of big-budget Hollywood, well, you can rest easy. To those who hold a very special fondness for Mr. Raimi’s Evil Dead trilogy, his latest film represents a powerfully welcome return to the horror genre — and it’s evident after only 10 minutes(…)
Mar 27, 2009
There are of course at least a dozen different “sub-genres” beneath the glorious heading we all refer to as Horror. Some folks like the monster movies, others dig the slashers, this guy might be a fan of psychological horror, and this gal might be obsessed with all things devil-related. Crazy kids, angry animals, apocalyptic insanity(…)
Mar 13, 2009
When it comes to remakes, the “horror faithful” can be a prickly lot. Make one like Prom Night and we complain about a lack of faithfulness to the source material, a softening of the chills in the name of a PG-13 rating, and a distressing prevalence of downright suckiness. (Yeah, maybe Prom Night wasn’t a great example to begin(…)
Feb 13, 2009
Usually when I’m about to write a review, I think of an opening, present (at least) one interesting angle, and make sure my opinions are laid out in decipherable form. But when it comes to any movie with that employs the phrase “Friday the 13th,” my objectivity sort of flies out the window like so(…)
Jan 16, 2009
George Mihalka’s 1981 Canadian slasher movie My Bloody Valentine is sort of a rarity among similar flicks of the era for a few reasons: Instead of stupid teenagers, the movie is populated with (fairly stupid) grown-ups; it aims to add a small air of mystery-style “whodunnit?” to a generally standard “slasher” premise; and (weirdly enough),(…)
Dec 5, 2008
The annals of “killer kids” genre cinema is a long and colorful one indeed. Of course we have classics like The Bad Seed (1956), Village of the Damned (1960), and The Omen (1976), but the extra-caffeinated horror geeks will bring up solid little titles like It’s Alive (1974), Devil Times Five (1975), Who Can Kill a Child? (1976), The Children (1980). Children of the Corn (1984), Pet Sematary (1989). And there’s also The(…)
Sep 12, 2008
Once again I find myself in a love-hate relationship with the brothers Weinstein. Love because someone at their company clearly has good taste in imported horror cinema, plus the brothers actually do give a lot of cool flicks a chance to find an audience … eventually. That’s where the “hate” part comes in. I’m fully(…)
Aug 15, 2008
The good news is that Alex Aja’s Mirrors is a perfectly watchable horror-thriller that’s well-shot, well-scored, and backed by an excellent lead performance by Kiefer Sutherland. The bad news is that, despite the relative quality of this movie, we’re dealing with a simple case of cinematic leftovers. Like most horror flicks these days, Mirrors is based on(…)
Jul 11, 2008
If Steven Spielberg were just a little bit edgier, a little bit darker, and a little more (ok, I’ll say it) colorful, his movies would look a lot like those of Guillermo Del Toro. That’s not to knock Steven Spielberg (at all), nor is it meant as a straight comparison. But there were times during(…)
Apr 28, 2008
In the beginning, there was Ringu, Ju-On, and Gin Gwai. And Kairo, Chakushin Ari, and Honogurai Mizu No Soko Kara. And they were good. Well, good enough, anyway, although I’m probably committing horror-geek heresy by admitting that I wasn’t all that dazzled by the non-stop Asian genre flicks that I kept seeing at every freakin’(…)
Feb 15, 2008
Way back in September of 2006 I reviewed the rather impressive horror film called All the Boys Love Mandy Lane. It has never opened in America. Until this month, that is! Radius/TWC has finally rescued this darkly amusing little indie from financial nightmare limbo (it’s a long and boring story, believe me) and you can(…)
Jan 4, 2008
We could start with the fact that January and February are generally considered “the dumping grounds,” where studios manage to unload their lamest flicks with very little in the way of fanfare. Or we could note that One Missed Call is YET ANOTHER American remake of a (very recent) Asian horror flick, and just start(…)
Nov 11, 2007
When your $8 million movie grosses more than ten times that amount across the globe, the topic of “sequels” is going to come up. Such was the case surrounding Danny Boyle’s 28 Days Later, a freakishly fun (and admirably harsh) piece of sci-fi horror from one of the planet’s most consistently eclectic filmmakers. But while(…)
Nov 9, 2007
After years of seeing Ashley Judd as little more than a doe-eyed cutie-pie with limited acting skills, I (skeptically) sat down to watch her in William Friedkin’s “Bug.” Regarding the director, well, it’s tough to knock the man who gave us “The Exorcist,” “Sorcerer,” and “The French Connection,” but over the last several years his(…)
Oct 12, 2007
If there were a whole list of movies about killer mutated sheep and the horrific things they do to people, Jonathan King’s “Black Sheep” would be the very best. But since it’s the only movie with this particular premise, let’s just call it a really funny, not very scary, enthusiastically gory, and surprisingly “lovely to(…)
Sep 7, 2007
I was happy to sit down with Adam Green’s Hatchet in a quiet room with the volume cranked up, and here’s why: The last two times I saw Hatchet, I was sitting with some very enthusiastic film festival audiences — and I will admit that seeing a movie in that sort of situation can mask(…)
Aug 31, 2007
It’s just amazing how many things Rob Zombie gets wrong in his resoundingly pointless remake of John Carpenter’s Halloween. The original film could be used as a freakin’ textbook on how to craft a dark thriller that will toss an audience into a frenzy — but Zombie just sort of staggers drunkenly through the source(…)
